We’re all guilty of using loops every now and then. However, there are always those that use them excessively. If you ask me, I believe using loops in music production should be avoided altogether. It obviously depends on the type of work you’re doing, but you’ll understand why using them can lead to potential issues.
Using loops in music production has become common since the introduction of platforms such as Splice, Prime Loops and more. What’s become even more common is the number of LAWSUITS against music producers using these loops. But wait… Aren’t these legally purchased loops legal to use commercially? The short answer is YES, but it’s more complicated than that. This blog post’s purpose is to inform you of the risks of using loops in your music and to show you how to use them properly. Stay tuned!
- Make sure the loops you’re using are legitimate
- Using the same loops as another music producer
- 5 reasons to avoid looping altogether
- Using loops to stimulate your creative process
- Using loops in music production is risky business!
Make sure the loops you’re using are legitimate
It doesn’t mean that every company selling loops on the internet is legitimate. Most people take the credibility of these companies for granted, but it’s important to exercise your due diligence.
The first step you can do is research the company BEFORE purchasing anything.
Here are some questions to ask yourself:
- How long has the company been around?
- Has anyone else used their products before?
- What do their terms and conditions look like?
Companies who have been around for longer obviously have a much better reputation.
It only takes a few moments to search them up on Google. You’ll most likely find reviews and testimonials. But why is this step so important?
Believe it or not, there have been reported cases of these companies selling uncleared material.
They’re probably not around anymore, but the truth is it wasn’t entirely their fault. It’s YOUR fault if you’re caught using copyrighted material without clearance. Small mistakes like these can potentially ruin your entire music career. No one will want anything to do with you anymore because you’ll become a RISK.
Is it really worth it to use loops?
Ask yourself that question every time you do.
My personal recommendation is to stick to companies like splice.com who have a proven track record. Either way, splice.com has everything you could possibly need in terms of samples and loops. Everyone is using it!
This brings us to another potential issue…
Believe it or not, music producers using loops from splice.com are STILL getting sued. But why?
Using the same loops as another music producer
There have been accounts of lawsuits where one music producer is suing another for using the same loop as they were. If the loop takes an important role in someone’s copyrighted song, it can be perceived as an integral part of that copyright.
I know, it’s ridiculous… BUT, this kind of stuff actually happens.
Most music producers aren’t equipped to fight legal battles they can’t afford. Even if it’s proven that the loop was in fact purchased and available to everyone, it can stir up a lot of unnecessary commotion. You’ll lose time, energy and money… Your most valuable assets!
Some music producers RELY on loops to create music. Don’t be one of them…
If the loops are used intelligently though, you can avoid attracting any unnecessary attention. The only loops I’ve ever used were percussion loops. I would avoid using anything that has a memorable melody. If you do, the best case scenario is your music won’t sound original.
Using percussion loops to “beef up” your tracks is as far as I’d go.
Even there, I prefer using MIDI loops because you can at the very least change them up. Audio loops can also be manipulated in compelling ways and I encourage you to do so. It’s okay to use a loop here and there, but it needs to be integrated into your creative process.
Here are some things you can do to your loops:
- Rearranging them
- Pitch shifting them
- Adding special effects
- Layering them in different ways
Use your imagination, it’s the least you can do!
Now that you understand the situation, we’re ready to get into the 10 reasons to avoid looping. That’s right, there’s more! I didn’t realize why until I started licensing my music for TV/Film, so it may not apply to you YET.
Here we go!
5 reasons to avoid looping altogether
Once again, these reasons may not apply to you particularly, but you should still consider them. You never know where your music will take you in the future, so it’s always best to be prepared. Are you ready?
- What if the music library you’re working with asks you to make modifications to one of your tracks? More times than none, it ends up being the one track that you used that loop on. Maybe they just want you to change the sound. Well, since you didn’t make it, you have no way of doing that. What do you tell them? This is why I use MIDI loops on those rare occasions.
- Loops can be used legally as long as they’re part of your song. Once you export your STEMS, one of those files will comprise your loop exclusively. What if someone purchasing a license for your music decides to use that ONE track? Now you’ve opened yourself up for what can be a potentially serious lawsuit. This is why I recommend altering your loops in some shape or form.
- Like we discussed earlier, using loops that are memorable can attract some unnecessary attention. If another music producer has already used the same loops before you, they can potentially sue you. It doesn’t mean they’ll win, but you don’t have time for lawsuits. Your business relationships will also begin questioning if they made a wise decision to partner up with you.
- We also discussed the potential of using loops that haven’t been obtained legitimately. Even with companies like Splice, you’ll never be 100% certain that what you’re purchasing won’t cause you any problems. The truth is, there’s no one scrutinizing every single loop that gets placed in the marketplace. You’re always taking a risk, it’s just up to you to decide if it’s worth it.
- Lastly, you may not have the ears for it, but some musicians can hear what authentic music sounds like. By overusing loops, you’re essentially making yourself sound less professional. As this becomes more of a habit, you’ll become dependent on loops to create and won’t be able to work without them. Just get out while you still can, trust me, you’re capable of so much more.
Not convinced yet? I’m not here to change your mind, I simply wanted to make you aware of the risks and potential drawbacks. However, there are some pretty interesting ways to incorporate loops into your creative process!
Using loops to stimulate your creative process
You can actually use loops without actually “using loops”. What do I mean by that? It’s simple… You can use loops like another bandmate to jam along with.
Once you’ve got something down, you can remove the loop!
For example, you can import one of those memorable loops into your project and create an accompaniment by harmonizing it. Maybe you can create a drum pattern that fits it like a glove? Whatever gets those creative juices flowing!
I sometimes undergo a similar process using Funklet (funklet.com).
By having a pre-made drum pattern to work with, it’s much easier to come up with ideas. I don’t always go this route, but it’s worked for me many times! You can then proceed to creating a similar drum groove or create something that feels completely different.
It’s kind of like a game of leapfrog; jumping from one idea to the other!
If you have the ears for it and you really like a particular loop, you can also transcribe it. It becomes much easier to make it your own once you’ve got it under your fingers.
So, I hope you realize that I’m not against using loops. I’ve used them too!
I’m simply against using loops as an excuse to NOT be creative. We’re artists, it’s our duty!
Using loops in music production is risky business!
After reading through all this, I hope you’ve developed an awareness for the risks involved with using loops. It’s not that using loops in music production is unprofessional, it’s that there’s a right way to do things.
I love jamming along to loops and it’s led me to have some incredible ideas!
The general guidelines for using loops are simple:
- Avoid using anything that too memorable
- If you can, opt for MIDI loops over audio loops
- I would stay away from loops that aren’t percussive
- I wouldn’t use more than one loop per track
If you follow these guidelines and practice your due diligence, you should be fine.
It’s even more important if you’re currently or planning to produce music for the TV/Film licensing industry. Even if you’re not, most of them still apply though and obviously, none of these principles apply if you’re producing music for personal use.
If you haven’t heard of splice.com, I highly recommend checking them out.
I hope you’ve found everything you were looking for. It’s not easy to come to terms with this stuff, especially if you’re a “heavy user”, but the fact that you read all of this proves to me that you’re a professional! I’d love to hear your thoughts and if you have any questions, feel free to leave them in the comments. If you’ve enjoyed, consider subscribing to my email list and sharing this blog post. Thanks for reading!
P.S.: I’m not a lawyer and therefore not qualified to give you professional legal advice. It’s your responsibility to make well-informed legal decisions.